When To Put A Book To Rest

No one’s writing journey is the same. Sometimes, a writer will land an agent after a few tries, while others will take a handful of manuscripts and false steps. Time doesn’t invalidate success and each writer will have a different story about how they reached their goal. Publishing weighs heavily on luck, the market, and what agents and editors have in their inboxes. A rejection does not always mean your story isn’t where it needs to be.

Seriously, I highly encourage writers to read blog posts by agents. They can help your mindset beyond words.

Bearing this in mind, writers can reach a crossroads where after so many unsuccessful attempts, a question arises – does this story need work or is it time to shelve it? The answer depends upon so many factors, but it’s an important thing to discuss. The story of one’s heart is not always the one that gets an agent or a book deal. Maybe it’s the second book of your heart or the fifth. Maybe it’s one you didn’t expect.

The bottom line is you need to do what’s best for you, your story, and what you want to achieve.

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If you plan to shelve a story, here are some things you should consider:

  1. Where are you in the revision process? Have you gone through multiple revisions from a variety of reliable people (critique partners, editors, agents) and it still hasn’t gotten requests or offers of representation?
  2. What’s the market like? What’s desired fluctuates. Maybe your story falls into a bracket that is no longer being asked for by the publishing industry. This doesn’t mean your story isn’t good. It just means the interest isn’t as current as it once was. Interests tend to come back around so your book may be relevant later as opposed to now.
  3. Are you wearing emotional blinders? Writing is and always will be personal. Has being attached to a story clouded your judgment? Separating yourself from the story could allow you to see what may or may not be working.
  4. Are you burnt out? Now, this isn’t always a factor that ties into shelving a story. Life could be stressful. A personal issue could prevent you from getting words down. You’re jumping between projects. What I’m referring to here is more specific. Has writing a story left you feeling more exhausted than happy? If you find you’re struggling with your love for a story or it seems to be draining you, leaving it alone may be what you need. What may have started off as a positive experience might have tipped into something you didn’t anticipate.
  5. Have your ambitions or goals changed? Another issue could be the story you began with isn’t the one you want to succeed or your views on it have shifted. Maybe you’ve decided to pursue a different genre or audience altogether. Maybe this story wasn’t what you hoped it would be. Shelving it to work on something you’re more excited/hopeful for could bring muse back and a newfound drive for the publishing process.

Of course, shelving a book will always be an intense and personal decision that is never easy. For some, it may hurt. For others, it may be a relief, but this is up to the writer and the writer alone.

Feel free to share your experiences if you’ve shelved a project. What made you decide this? How did you get through it? What are you working on now? No author has the same writing experience and it’s important to see the variety of paths.

Xx

Megan

 

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Finishing My First Draft

Hi Readers & Writers,

As of three weeks ago, I completed the first draft of my YA dystopian novel or rather, a first draft that has been edited and changed as I searched through it for every error possible. Of course, this is an impossible task to accomplish alone.

It’s a surreal feeling now that it’s done and is slowly being handed off to my readers–whilst I try not to throw up every meal I’ve eaten. I didn’t expect to finish it or rather, there were days where finishing it seemed unlikely. I went through a three month period of not writing anything due to being stuck on a plot. This was extremely disappointing after writing two or three chapters a week for months straight.

Stepping away helped as well as discussing the entire plot with those I could trust. It took some wiggling, but eventually I unlocked the plot and was able to progress. I got stuck around the last three chapters which once again warranted a talk. Before I knew it, I was writing the final sentence. I stared at it for a good ten minutes, in shock, in awe, in question of what I was going to do after. P.S. It involves creating a new story.  

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Writing a book is no easy task, despite what some people will say. It requires plotting, putting your emotions out there, killing your darlings, and pushing past what may seem like an insurmountable amount of doubt. But what I’ve forced myself to think about, and what many others have told me, is I’ve completed something huge. I focused over a year of my time onto this story, allowing it to grow from its bare bones into a completed piece. I will still need to edit it and change parts, but the fact is I already showed I would put in the work. It’s a pretty awesome thing to see your work in progress become a tangible whole.

Since I finished my first draft, I figured I would offer tips to anyone who may be struggling or anyone who needs a boost of confidence.

  1. Every writer writes at a different pace. If you have friends who are managing to finish books in a few months, while you’re taking a year or longer, don’t panic. Books are a big deal and not everyone will work at the same speed or the same way. The bottom line is you have to be happy with your progress.
  2. Your first draft will be edited. You do not have to catch all the missing pieces of the puzzle in the first, second, or even third go. That’s what other sets of eyes are for.
  3. Find a group of people you can trust to read or discuss your work. Do not let this group grow too large. You want opinions, but opinions you can rely on by people who are not trying to harm you or your project. Also, make sure these people encourage you and are equally as excited about your story as you are. Enthusiasm can motivate.
  4. Plot if you need to. There are pantsers and plotters and people who fall in between these categories. Do what you need to do in order to get your story complete. If writing without a plan feels more natural to you, do it. If you need a thirty page outline to get your ideas down, then make it.
  5. Sometimes, you’ll need a break. Whether you’ve written a really gut-wrenching scene or your mind and body are creatively spent, taking a few hours or days away from your story will not hurt. You need to recharge and feel good again.
  6. You will second guess yourself and everything you write. Writers, unfortunately, are equipped with an endless amount of self-doubt, questioning, and skepticism. Read one of your favorite scenes. Step away for a while. Remind yourself why you started writing to begin with. Watch your favorite movie or television show. Read your favorite book. Find ways to remind yourself that your story matters.
  7. Be open to critique. Every book requires help to get to a final draft and one that is not only plot hole free, character strong and grammatically correct, but one that is mindful of the issues it tackles.

The bottom line is to keep writing. You’ll be surprised how quickly your words add up over time.

If you would like to know more about my WIP, you follow this thread I made about it on twitter.

Xx

Megan

Publishing 101 for Teens

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Publishing is a complicated business that takes time and experience to fully grasp. However, even with these tools, one has to be able to adapt. The market changes often as do the writers and literature that emerge.

Because of this, and the recent discussions on twitter about the lack of listening to teen voices, I decided to open up the door to teens to freely ask any questions they have about publishing. The response has been fantastic and thus I have my first blog post on the issue.

Q1: What should you major/study in college if you want to have a career in publishing?

A: For publishing, I would highly advise a B.A. in English or Creative Writing. When you apply for jobs, these degrees are often the baseline education requirement alongside experience (internships, summer programs you may have taken, previous jobs etc). There is some leeway here. You can major in other arts/humanities courses, but what publishers look for in a potential employee is the ability to write well, analyze and critique a piece of writing, pay attention to detail, and know your way around a computer. What is greatly important, and if anything the number one thing to bring to a job interview, is your passion for the industry. Do you like to read a lot? Have you taken interest in books and research in school? Have you kept up with the market? Even the blog you run can make you stand out. Competition is high for publishing jobs and unfortunately, they’re often centered in major cities. Freelance and remote opportunities do pop up, but the same rules as above apply.

I advise to keep in mind that this answer does not stay the same for what major do you need if you want to be a writer. That question is a little trickier for the answer is anything you want. What you need to be a writer is passion, patience, the desire to work hard, understanding rejection and critique, as well as wanting to learn. These skills do not link up side by side with any major. They are about you and what you want out of your writing. If you want to be published, great! If you don’t, that’s fine too. Success is not merely measured in publication.

Q2: How do you break through and be successful in such a competitive industry like publishing?

A: Following from my answer above, it comes down to what makes you stand out. With the growth of social media, I strongly recommend getting an account on Twitter. This is the number one marketing site for writers. It’s quick, fairly easy to learn, and the writing community is only growing larger. Make connections with others. Hear about their journeys and what they have done. Share what you’re working on. Everyone’s publishing road will be different, but it is important to stay connected and have a presence. You never know what will happen from there.

Q3: How do you find a critique partner around your age and a mentor?

A: I would definitely utilize the twitter community here. There are lots of wonderful people offering to be critique partners or mentors.

For teens, I recommend the following hashtags to find critique partners:

#YATeenSpace
#Teenpit *This happens certain times out of the year, but it is definitely a good way to connect and find other writers, agents, and editors who are willing to help teens.*
#Ontheporch

Note: For the latter, it is not catered for teens, but it is a spot where people post about their WIPs and connect in all things writing related. If I find others, I will definitely add them here!

Another way is to simply post if anyone wants to exchange stories. Most of these posts get a handful of responses as everyone is looking/needs another pair of eyes on their story.

As with any exchange, especially writing, make sure you check out the person beforehand and make sure you’re comfortable with sharing your work. If anything seems off or questionable, don’t follow through or check in with trusted friends/peers.

Q4: Do you know about getting published as a teenager – if it dramatically lowers your chances of getting an agent, if you should disclose that you’re underage in your query? Also, what are the legal requirements for getting published underage?

A: I haven’t had too much experience with agents, but I did do some research on the matter. Putting your age in your query is up to your discretion. If you do get a publishing contract, I would prepare yourself for the work it brings and the steps you’ll need in order to get from your draft to a completed book. I would also research one’s background before you sign with an agent. Unfortunately, there are some who are inexperienced or looking to take advantage of those who are not familiar with the industry.

I can’t entirely say if placing your age into a query will lower your chances. I feel like that would vary by agent and publisher – some not minding/encouraging a younger author while others would shy away from it.

You will have to disclose your age if an agent expresses interest and ultimately decides to represent you. This is important because if you’re under 18, you will likely need a parent or guardian to cosign a contract.

If I find out any more information, I will definitely update this!

Q5: How long does each phase of writing and publishing take? 

A: Writing will always vary based on the individual. Some are able to writer faster than others. Some may need to rethink their plot. Some may have to rework their entire story. There will never be a specific amount of time for any of these stages.

In terms of when you’re signed, you will likely be given a due date for your edits and your final manuscript. Your editor will read them over, give their comments, and you will once again be given edits to complete until the final draft. These will likely take a few weeks to a few months.

I can’t give a specific date for how long the whole process takes, but writing a book is very much a long term gratification experience. You won’t see your book by the end of the week after you submit your manuscript, but in a year, maybe even two, it will be there. If you’re willing to wait and put in the work, it will be worth it.

Q6: What if your manuscript is always rejected?

A: Rejections are probably the hardest part of the writing process, especially when you put so much work into your story only to see the same email over and over again. There are several things that can be done in this situation.

  1. Keep trying. Sometimes, you need to find the right agent or the right publisher to represent you. Even famous authors received hundreds of rejections before success found them. I know that sounds daunting, but trust me, keep trying.
  2. Find beta readers and critique partners. Maybe something in your story isn’t working. Have another set or sets of eyes read over your manuscript. Do the same for your query letter and synopsis. A simple rewording could make all the difference.
  3. Make sure you’re following guidelines when submitting. A handful of publishers and agents will not read your work if it is not properly formatted nor fits the mold of what books they’re searching for.
  4. Step away from the story. If you constantly work on the same piece, you may be overthinking it and have to take a breather. Come back to the story in a while with a clearer head. You may notice something you hadn’t before and be able to strengthen your story.
  5.  Your story may be rejected by publishers and agents due to their schedule or inability to give your story the attention and detail it needs. Don’t take it personally. Not all rejections are about your writing or about you. I can’t stress this enough. Sometimes, it just can’t work out.
  6. Don’t stop writing. This story may not be the one picked up by publishers, but it doesn’t mean your next one will follow the same direction. Write the story you need. Write what feels right. Just keep doing it.

Q6: How much should we write each day?

A: There is no correct amount of words to write per day nor is there a correct way to write. Me personally, I don’t write everyday. I used to as a teen, but life and stubborn muse got in the way so now I write when I can and often in large chunks. This is my method, but you most certainly have to find your own as a writer.

I definitely enforce getting into the habit of writing often, even if it’s not everyday. It’ll keep your thoughts and motivation fresh, but I also understand why this can’t always happen. As long as you’re moving towards your goal, I think that is important.

I would also mention taking into account achievements that may not be writing. For example, reading a good book or watching a movie that inspired you. Taking a long walk through a park or simply having a passionate conversation with a friend or family member. Each of these things can build up to writing and push it forward. Take rewards in both the big and small and finish whatever story you have in your head.

This is the first in what I hope to be more blog posts on this issue. If this has helped you, or you think it would be beneficial to someone else, please share this. It is greatly appreciated. If you’re a teen and have questions, feel free to message or tweet me and I’ll get to your questions in the next post!

Xx

Megan

Writing The Hard Stories

In order for characters to grow, they have to face hardships, have things taken from them, lose their initial opinions. As writers, we plan how this happens and are tasked with the most difficult thing: capturing this development on paper.

Writing a story isn’t easy. It takes a lot of will power, imagination, and convincing yourself that your writing doesn’t suck. Once you’ve managed to move past these qualms, you may come up against another challenge. How do I handle writing a scene that is either extremely personal or possibly triggering?

I’m a firm believer in using writing as a way of dealing with life or even escaping it. For a long time, writing was the only comfort I had. I threw my emotions onto the page no matter how much it hurt or even if the words I was putting down made no sense.  Some of the short stories that came from these moods were emotionally charged and on the dark side.

To this day, I still like to write the heavier stories, ones that are both a challenge and a release. Sometimes, I need to step away from my WIP. Other times I get lost in the mindset of my characters or the events playing out before me until hours fly by and I have to snap myself out of it. This happened a few months ago when my MC sought revenge on a group of people who kidnapped his best friend. To put it lightly, the end result wasn’t pretty nor was the mentality of the character going into the ordeal. I remember saying to myself: “These thoughts are psychopathic.” However, I finished the chapter and emerged with new questions about my MC and my capabilities as a writer.

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There’s another scene in my story about death, which I took details from a personal event that happened in my life. The chapter was depressing to say the least and I found my mood descending with every word I wrote. The good news: it’s one of my favorite chapters. The bad news: I felt every ounce of my character’s pain.

It’s a double edged sword being a writer when our characters become like people we know and grew up with. Their suffering isn’t always something we can separate from our own. I choose to dive into these emotions, using it as a current of inspiration. How I come out of the experience once I’m done writing, I figure I’ll handle later.

This method does not work for everyone. Stories can get overwhelming, personal; hit a bit too close to home. But these are also the parts of the story that connect with our readers, that make us clutch books to our chests and weep at an ungodly hour of the night. Whenever you write scenes like these, here are some tips to remember:

  1. Do your research. You don’t want to offend anyone with what you’re writing, let alone come across as ignorant. There is no such thing as too much research.
  2. Take a break. There is no reason to harm yourself while writing. If it gets too much, you can save it for another day, take a breather, listen to music, or watch your favorite show or movie. You always come first.
  3. Make sure these scenes are not included for dramatic effect, but actually advance the story and the growth of your main character. Shock value is not the best reason for including a dark scene.
  4. Understand it’s okay if it is not right the first time. That’s what editing is for. Those scenes that don’t feel right will either be polished or cut.If you’re still having trouble, Beta Readers are a great resource to see if you’ve accomplished what you set out to do.
  5. Don’t let anyone tell you not to write something. If it’s for the better of your story or even a way of dealing with what’s going on in your life, do it.
  6. Remember your readers. Writing a scene correctly and appropriately will connect you to your audience.

These scenes will always be part of our jobs as writers, but it’s how you go about them and handle yourself in the process that really matters.

Xx

Megan

Short Stories & Editing Tips

Hey Readers & Writers,

Today I’m taking Monday blogging seriously for I have two posts to shove at you. Okay, I’m not really going to shove them at you. I’m going to politely ask you to check them out if you’d like.

The first post is a guest post on Kate Foster’s blog where I discuss how I write short stories, where the ideas come from, as well as why I sometimes prefer writing them over full fledged novels. Since this is a well debated topic in the writing world, I figured I would offer my perspective. That post can be found here.

The second matter of business I am sharing today is the third completed manuscript analysis on The Inkwell Council. Justine and Ismael tackle large issues such as the message of one’s story and how to convey said message, while I tackle how to convey a character’s thoughts without your grammar suffering in the process. That post can be found here.

I hope you enjoy them both and they help offer some insight in the writing and editing world.

Xx

Megan

My First Red Pen

Hello Everyone,

I had the pleasure of guest posting on Liz Meldon’s writing blog. The topic of my post was my first editing experience as well as what writers can learn from the process. Given my love of editing and reading, it only makes sense that I tell my tale.

For all writers who are nervous about reaching out for critique, trust me, it will make all the difference.

Check out my post here and leave your comments on your first editing experience if you’d like!

Xx

Megan

The Importance of Sentence Structure

Hey everyone,

Both of my new projects for 2017 are underway. My YouTube channel by the name of Geektastic now has videos. I also did a heap of filming yesterday with my family. There’s a lot of good stuff coming so stay tuned.

My second project, The Inkwell Council, has completed its first manuscript critique and with permission of the lovely author, a post has been written with tips for authors to keep in mind. If you want to learn about sentence structure and creating the perfect rhythm for your story, click here.

We will be posting more tips and tricks, so keep an eye on Inkwell. Also, if you have a fantasy manuscript that needs review, don’t hesitate to email us. We will be selecting our second manuscript very soon!

That’s all for now.

Xx Megan