Starfish: A Review

Hello Readers & Writers,

Today I will be reviewing Starfish by Akemi Dawn Bowman. I received this book from Simon and Schuster in exchange for an honest review. This will be mostly spoiler free so there is no need to click away.

There are many things I loved about Starfish; it was not afraid to tackle issues such as social anxiety, biracial identity, and unstable family life. I will point out the trigger of sexual abuse as it is a prevalent theme throughout the novel.

The story follows the main protagonist Kiko who is of half-Japanese heritage and is on the verge of finishing high school. She has a plan for herself: get into a New York City art school called Prism and follow her dreams of becoming a painter. Not only that but she will be able to escape her small town life in Nebraska where being Japanese makes her “exotic” and different than those around her.

She lives with her mother and two brothers, her relationships with each of them rather complex. Kiko’s mother constantly criticizes her and puts her desires and dreams at the bottom of her priority list. Kiko and her brothers cohabitate the same space without getting to know each other beyond the surface. Her father divorced her mother and lives with his new wife and recently born twin girls.

When Kiko’s plans for art school fall through, she at the same time reconnects with her old best friend, Jamie, who moved away during childhood. He offers her an escape from her overwhelming, emotionally manipulative mother and the grief of not getting into her dream school.

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This contemporary novel is heavily focused on self-discovery and what it means to grow up, cope with plans that do not always work out, and toys with the idea that blood does not always mean family. What drew me in originally to Starfish was Kiko having social anxiety, something I struggled with for most of my life and still do. I found Kiko’s descriptions were insanely accurate, to the point I had to stop and show them to my friends. Kiko lends a voice to readers who deal with this and not in a way that undermines it. No, this book is very much about accepting social anxiety and realizing it does not make you a bad friend or a bad person. It is just a part of you that you will learn to handle and if you have good friends, they too will put in the effort. You have to do what makes you feel comfortable.

The next topic that drew me in was biracial identity, but more specifically how it impacts Kiko’s self-worth and identity. Kiko’s mother is white and has physical features associated with said identity: blonde hair, light skin, and light eyes. When Kiko looks at her mother, she doesn’t see any of those traits in herself, having taken after her dad who is Japanese. She grapples with the concept of beauty and if it is an agreed upon concept by society, or one that is subjective and ever changing. For teens who struggle with finding themselves and beauty in their features, Kiko offers the perfect narrative for it isn’t a journey that automatically happens. It takes time, tears, and breaking away from negative influences. The journey reads naturally and I found myself rooting for Kiko all throughout the story. I wanted her to radiate self-confidence and I wanted her to understand how beautiful she was. Tying into this idea was cultural identity and how Kiko didn’t have much of a Japanese culture due to her parent’s divorce and her mother’s view on not favoring an Asian lifestyle. In case you didn’t know, you’re going to hate Kiko’s mother, but unfortunately, her ignorant and narcissistic outlook on life is not unique. Other people have it too. However, it is through Kiko’s interactions with her mother that a reader is able to realize certain behaviors are not okay and should never be okay.

Starfish is beautifully written. The prose flows naturally and I love how each chapter ends with a work of art Kiko creates to reflect the events that have happened. Every character feels like a fleshed out, real person and you can’t help getting sucked into this world. I’m not going to forget about Starfish and the impact it had on me. I hugged the book to my chest after finishing it because the ending was such a heartwarming consolation that Kiko deserved. Aside from my perspective, I think this book can be an outlet for teens and offer the message that no one should tear you down or stop you from being who you need to be. If they’re doing that, chances are, you don’t need them in your life. You need to live for yourself and your dreams.

Overall, this book gets 5/5 stars from me and I would highly recommend it. I may wind up throwing it at everyone so it can be read asap!

Xx

Megan

Publishing 101 for Teens

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Publishing is a complicated business that takes time and experience to fully grasp. However, even with these tools, one has to be able to adapt. The market changes often as do the writers and literature that emerge.

Because of this, and the recent discussions on twitter about the lack of listening to teen voices, I decided to open up the door to teens to freely ask any questions they have about publishing. The response has been fantastic and thus I have my first blog post on the issue.

Q1: What should you major/study in college if you want to have a career in publishing?

A: For publishing, I would highly advise a B.A. in English or Creative Writing. When you apply for jobs, these degrees are often the baseline education requirement alongside experience (internships, summer programs you may have taken, previous jobs etc). There is some leeway here. You can major in other arts/humanities courses, but what publishers look for in a potential employee is the ability to write well, analyze and critique a piece of writing, pay attention to detail, and know your way around a computer. What is greatly important, and if anything the number one thing to bring to a job interview, is your passion for the industry. Do you like to read a lot? Have you taken interest in books and research in school? Have you kept up with the market? Even the blog you run can make you stand out. Competition is high for publishing jobs and unfortunately, they’re often centered in major cities. Freelance and remote opportunities do pop up, but the same rules as above apply.

I advise to keep in mind that this answer does not stay the same for what major do you need if you want to be a writer. That question is a little trickier for the answer is anything you want. What you need to be a writer is passion, patience, the desire to work hard, understanding rejection and critique, as well as wanting to learn. These skills do not link up side by side with any major. They are about you and what you want out of your writing. If you want to be published, great! If you don’t, that’s fine too. Success is not merely measured in publication.

Q2: How do you break through and be successful in such a competitive industry like publishing?

A: Following from my answer above, it comes down to what makes you stand out. With the growth of social media, I strongly recommend getting an account on Twitter. This is the number one marketing site for writers. It’s quick, fairly easy to learn, and the writing community is only growing larger. Make connections with others. Hear about their journeys and what they have done. Share what you’re working on. Everyone’s publishing road will be different, but it is important to stay connected and have a presence. You never know what will happen from there.

Q3: How do you find a critique partner around your age and a mentor?

A: I would definitely utilize the twitter community here. There are lots of wonderful people offering to be critique partners or mentors.

For teens, I recommend the following hashtags to find critique partners:

#YATeenSpace
#Teenpit *This happens certain times out of the year, but it is definitely a good way to connect and find other writers, agents, and editors who are willing to help teens.*
#Ontheporch

Note: For the latter, it is not catered for teens, but it is a spot where people post about their WIPs and connect in all things writing related. If I find others, I will definitely add them here!

Another way is to simply post if anyone wants to exchange stories. Most of these posts get a handful of responses as everyone is looking/needs another pair of eyes on their story.

As with any exchange, especially writing, make sure you check out the person beforehand and make sure you’re comfortable with sharing your work. If anything seems off or questionable, don’t follow through or check in with trusted friends/peers.

Q4: Do you know about getting published as a teenager – if it dramatically lowers your chances of getting an agent, if you should disclose that you’re underage in your query? Also, what are the legal requirements for getting published underage?

A: I haven’t had too much experience with agents, but I did do some research on the matter. Putting your age in your query is up to your discretion. If you do get a publishing contract, I would prepare yourself for the work it brings and the steps you’ll need in order to get from your draft to a completed book. I would also research one’s background before you sign with an agent. Unfortunately, there are some who are inexperienced or looking to take advantage of those who are not familiar with the industry.

I can’t entirely say if placing your age into a query will lower your chances. I feel like that would vary by agent and publisher – some not minding/encouraging a younger author while others would shy away from it.

You will have to disclose your age if an agent expresses interest and ultimately decides to represent you. This is important because if you’re under 18, you will likely need a parent or guardian to cosign a contract.

If I find out any more information, I will definitely update this!

Q5: How long does each phase of writing and publishing take? 

A: Writing will always vary based on the individual. Some are able to writer faster than others. Some may need to rethink their plot. Some may have to rework their entire story. There will never be a specific amount of time for any of these stages.

In terms of when you’re signed, you will likely be given a due date for your edits and your final manuscript. Your editor will read them over, give their comments, and you will once again be given edits to complete until the final draft. These will likely take a few weeks to a few months.

I can’t give a specific date for how long the whole process takes, but writing a book is very much a long term gratification experience. You won’t see your book by the end of the week after you submit your manuscript, but in a year, maybe even two, it will be there. If you’re willing to wait and put in the work, it will be worth it.

Q6: What if your manuscript is always rejected?

A: Rejections are probably the hardest part of the writing process, especially when you put so much work into your story only to see the same email over and over again. There are several things that can be done in this situation.

  1. Keep trying. Sometimes, you need to find the right agent or the right publisher to represent you. Even famous authors received hundreds of rejections before success found them. I know that sounds daunting, but trust me, keep trying.
  2. Find beta readers and critique partners. Maybe something in your story isn’t working. Have another set or sets of eyes read over your manuscript. Do the same for your query letter and synopsis. A simple rewording could make all the difference.
  3. Make sure you’re following guidelines when submitting. A handful of publishers and agents will not read your work if it is not properly formatted nor fits the mold of what books they’re searching for.
  4. Step away from the story. If you constantly work on the same piece, you may be overthinking it and have to take a breather. Come back to the story in a while with a clearer head. You may notice something you hadn’t before and be able to strengthen your story.
  5.  Your story may be rejected by publishers and agents due to their schedule or inability to give your story the attention and detail it needs. Don’t take it personally. Not all rejections are about your writing or about you. I can’t stress this enough. Sometimes, it just can’t work out.
  6. Don’t stop writing. This story may not be the one picked up by publishers, but it doesn’t mean your next one will follow the same direction. Write the story you need. Write what feels right. Just keep doing it.

Q6: How much should we write each day?

A: There is no correct amount of words to write per day nor is there a correct way to write. Me personally, I don’t write everyday. I used to as a teen, but life and stubborn muse got in the way so now I write when I can and often in large chunks. This is my method, but you most certainly have to find your own as a writer.

I definitely enforce getting into the habit of writing often, even if it’s not everyday. It’ll keep your thoughts and motivation fresh, but I also understand why this can’t always happen. As long as you’re moving towards your goal, I think that is important.

I would also mention taking into account achievements that may not be writing. For example, reading a good book or watching a movie that inspired you. Taking a long walk through a park or simply having a passionate conversation with a friend or family member. Each of these things can build up to writing and push it forward. Take rewards in both the big and small and finish whatever story you have in your head.

This is the first in what I hope to be more blog posts on this issue. If this has helped you, or you think it would be beneficial to someone else, please share this. It is greatly appreciated. If you’re a teen and have questions, feel free to message or tweet me and I’ll get to your questions in the next post!

Xx

Megan

Games & Best Friends Featuring Anna Priemaza

Hello Readers & Writers,

I had the pleasure of interviewing Anna Priemaza, author of Kat and Meg Conquer the World releasing November 2017 from HarperTeen. This is a book I’ve been excited for and I was even more thrilled when Anna agreed to talk with me about the book. She raises some really strong points about friendship and identity.

Before I kick off the interview, here is a synopsis of Kat and Meg Conquer the World:

33877998Kat and Meg couldn’t be more different.

Kat’s anxiety makes it hard for her to talk to new people. The only place she feels safe is in front of her computer, playing her favorite video game.

Meg hates being alone, but her ADHD keeps pushing people away. Friends. Her boyfriend. Even the stepfather who raised her.

But when the two girls are thrown together for a year-long science project, they discover they do have one thing in common: their obsession with the online gaming star LumberLegs and his hilarious videos.

Meg’s pretty sure this is fate. Kat doesn’t know how to deal with someone who talks faster than she thinks. But if they can stick together and stay out of their heads, they might figure out how to help each other—and build the kind of friendship Kat never knew she wanted and Meg never believed she’d find.

Q1: Where did the idea for Kat and Meg Conquer the World come from?

Anna: When I’m brainstorming a book, I don’t think about plot, I think about people. My ideas notebook is full of characters and their relationship to each other. Kat and Meg Conquer the World stemmed from the concept of best friends who are opposites.


Q2: Did you grow up playing video games? If so, what did you love to play and on what gaming system?

Anna: I owe everything I am to the computer game Math Rabbit, which I played for hours and hours and hours when I was a kid. You don’t know joy until you’ve saved up enough e-tickets to buy the rollerskating poodle from the prize tent.

Also:

Gameboy – Super Mario Land, Kirby’s Dreamland, Yoshi, Rolan’s Curse, Tetris

N64 – MarioKart, Smash Brothers, Zelda: Ocarina of Time

Computer – Daggerfall, Heroes of Might and Magic, Jagged Alliance

We had only one computer and one console, so I spent a ton of time watching my sister play Zelda or my brother play some dungeon crawler game I can’t remember the name of. (How old do I sound? I swear I’m not that old. Technology changes quickly, kids!)


Q3: Do you share any traits with the characters you’ve created?

Anna: Well, like both of them, I’m a fangirling nerd and gamer who values friendship fiercely. I am also intimately acquainted with panic attacks and anxiety, like Kat, though some of the things that trigger my anxiety are different than hers.


Q4: What was it like getting into the headset of both Kat and Meg? Did you have an easier time with one character versus the other?

Anna: Kat came alive for me from the moment I set pen to the page. I have a vivid memory of writing the first few paragraphs of her first scene and thinking, “Oh! Hello, Kat! You’re here! It’s so nice to meet you!”

Meg took a bit longer to show herself, but once she did, I had a complete blast getting into her head. Meg is impulsive and gregarious and hilarious and although she is so very different from me, I adore her with my whole heart, and I love being in her head.


Q5: ADHD and anxiety are both important issues that need to be discussed in literature, but can also be complicated to write about given how they affect people differently. Did you do any research for these issues and what was that like?

Anna: Let me say first of all that I don’t consider Kat and Meg to be an “issue book.” It’s not a book about anxiety or about ADHD. It is a book about friendship, fandom, video games, and how people can be rocks for each other even when they themselves feel like quicksand.

I like to make this distinction because my own disabilities and mental health diagnoses feel similar to the fact that I have size 9 feet (okay, okay, size 9.5).

(Wait, what?

Bear with me, I have a point. You’ll see. I hope.)

The size of my feet is an unchangeable, defined part of me that impacts me in obvious (what shoes I can buy or wear) and not-as-obvious (how I walk or stand or balance) ways. I can’t wear the shoes of someone who has different sized feet than me–at least, I can’t wear them and be comfortable. My foot/shoe size impacts me on a day-to-day basis.

At the same time, though, if someone painted a picture of me, and it turned out all they painted was my feet… that’d be upsetting (not to mention creepy). I am more than my feet. I am more than my handicapped arm. I am more than my anxiety. I am more than my dermatillomania. I am more than my sensory processing disorder. (Though these things are all still a core part of me and impact me every day.)

Kat has severe anxiety, and that impacts everything she does throughout the whole book. But so does the fact that she is clever and thoughtful and ambitious and witty and completely badass at video games.

Meg has ADHD, and that impacts everything she does throughout the whole book. But so does the fact that she is fearless and brimming with ideas and passionate and hilarious.

All of this is to say that yes, I did a crap-ton of research for the aspects of Kat’s and Meg’s lives that are outside of my own experience–from reading through forums to watching YouTube videos to asking friends hundreds of questions to having numerous sensitivity readers. But my research did not define who they are, it just helped me paint various parts of their portraits with a bit more precision.


Q6: Describe Kat and Meg Conquer the World in three words.

Anna: Gamer girl BFFs


Q7: What do you want readers to take away from your book?

Anna: Friendship is badass and just as swoon-worthy as romance.


Q8: What is something you nerd out about?

Anna: I fangirl over YouTube gamers so much that I dressed as one for Halloween. I own at least 20 articles of Doctor Who-related clothing. At home, I live in my Hufflepuff hoodie. My husband and I own over 200 board games. I am…oh, wait, you said just one.


Q9:  Do you have plans for future books and if so, will they be a genre similar to Kat and Meg or a new one all together?

Anna: I’m currently working on my first round of edits for book two, which will come out from HarperTeen a year or so after Kat and Meg. It’s also a contemporary YA, about a girl who travels across Canada to search for her missing sister, accompanied by her sister’s best friend and the cultist accused of her murder.

As you can probably tell from that description, it’s a lot darker than Kat and Meg, but it still has a lot in common with my debut. It’s about relationships–friendship and family–and is still woven with nerd references and humour.

One thing you can expect from all my books is a primary focus on non-romantic relationships. Romance is great, but it’s only one of the thousands of ties that bind us to the people around us. We can have our heart broken by a friend, be supported by a rival, learn something from a younger sibling, be betrayed by a celebrity, be profoundly impacted by a stranger…*trails off, picks up ideas notebook, and starts writing frantically*


Author Bio: 

_DSC5200 v3 webAnna Priemaza is a contemporary young adult author and a practicing family and immigration lawyer in Edmonton, Alberta, where she lives with her husband. She can never quite remember how old she is, as she knits like an old lady, practices law like an adult, fangirls over YouTubers like a teen, and dreams like a child.

 

If you’d like to follow Anna and her work, which I highly recommend, see all these lovely links:

Website: http://annapriemaza.com/

Goodreads: https://www.goodreads.com/book/show/33877998-kat-and-meg-conquer-the-world

Twitter: https://twitter.com/annab311a

Instagram: https://www.instagram.com/annapriemaza/

Amazon (US): http://a.co/3Egl2G7

Amazon (CA): http://a.co/7XifUqO

Once again, a big thank you to Anna for joining me today.  Be sure to preorder/pick up a copy of Kat and Meg Conquer the World. I sure will be. To see more book related posts on my end, keep an eye on the blog.

Xx

Megan

 

Queens of Geek: A Review

Hello Readers & Writers,

Last night I finished Queens of Geek by Jen Wilde and all I can say is this book is both adorable and powerful.

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Taken from my instagram: Written-Infinities.

It follows three friends who go to SupaCon, which is a big gathering of movie, YouTube, and television stars. These friends are moving on to college within a couple of months and this is their way of treating themselves for making it through their education. Not to mention it has been something they wanted to do for a long time as a group. Many events happen at SupaCon, leading to self-discovery, love, and beating back some demons each of them have been holding onto.

This is a dual POV book following the characters Charlie and Taylor. Charlie is a famous YouTube star who had a terrible breakup from her co-star of a recent film, Reese. She is long since over him, but she spent the last few months piecing herself back together and finding out what it means to not be tied together with her ex in the public limelight. She has to deal with fans who want to see her back together with her ex and her entertainment company that wants her to be nice to Reese for publicity. She also identifies as bisexual and there is a fantastic scene in the book where she challenges her ex about sexuality. He asks a question bisexuals get too often: how can you be bisexual when you’re dating a guy?

The answer that Charlie gives, my dear readers, is a good one. There doesn’t need to be proof of bisexuality through dating a woman. Rather, she knew she was bisexual the same way her ex knew he was straight. What I love that the author does is she constantly reinforces there is nothing wrong with being bisexual.  She has also made Charlie a strong character, not afraid of talking about her sexuality, showing her confidence, or noting her mixed race heritage.

The second character, Taylor has anxiety. Throughout this book, I constantly found myself nodding my head in agreement with the descriptions Jen gives about anxiety. Between the fears Taylor has and how she worries how other people will read her anxiety (as her being stuck up or bossy), I too have gone through similar experiences. The portrayal was honest and real and all I wanted was for Taylor to push past her anxiety and find the happiness she deserved. Taylor, an amazing well rounded character, does not only challenge stereotypes about anxiety, but also challenges fat-shaming and misconceptions about being on the spectrum. There is so much to love and learn from Taylor’s chapters as well as so much to connect with.

This isn’t a difficult or long read. It is very much fluff and friendship and feeling good after reading it. Most of the plots are predictable, but I didn’t mind. You have a solid friendship, romances to root for, and wonderful representation. From the second I picked up this book, I went yes, this is what I need to be reading.

Note: The references in the book to all things Geek are A+.

I’m giving it 5/5 SupaCon passes.

Xx

Megan

Normalcy Doesn’t Work

Hey Guys!

It’s been a while since I’ve had publication news to share, but I’m back to say my short story Kaleidoscope was published in Shift the Zine! I couldn’t have been happier to receive their email saying they accepted my work.

I’m not sure what I was expecting to come from this piece when I wrote it. It was done in one sitting, but as I reread it, I felt like it wasn’t quite right. This story was originally double in length and jumped around a lot. Before I chopped at it in the editing process, it was definitely a realistic fiction/contemporary piece.

I’ve written contemporary pieces before and I love reading them, but something about this story begged for a new genre. There was a little inkling in my brain that slowly turned into: “hey, why don’t you make Jared’s painting come to life?”

I promise you’ll understand that question once you read my story.

pexels-photo-94736Once I decided to go through with the plan, the story read easier. I cut most of the original draft and settled on an odder, more emotionally charged piece. For the main character Jared, who I’ve written before, but never in a story I submitted, he’s an artistic guy. He heals through what he creates. He takes his emotions and shoves them onto a canvas. My desire to alter the story came from the needed exploration of what Jared’s art can do for him especially after suffering from heartbreak.

This story couldn’t have been possible without the help of one of my dear friends Kristie, who created the character of Ash and through her, I have been inspired to create so many things.

If you’d like to give Kaleidoscope a read, click here, and be sure to share your thoughts with me (if you’d like), in the comments.

Xx

Megan

Writing The Hard Stories

In order for characters to grow, they have to face hardships, have things taken from them, lose their initial opinions. As writers, we plan how this happens and are tasked with the most difficult thing: capturing this development on paper.

Writing a story isn’t easy. It takes a lot of will power, imagination, and convincing yourself that your writing doesn’t suck. Once you’ve managed to move past these qualms, you may come up against another challenge. How do I handle writing a scene that is either extremely personal or possibly triggering?

I’m a firm believer in using writing as a way of dealing with life or even escaping it. For a long time, writing was the only comfort I had. I threw my emotions onto the page no matter how much it hurt or even if the words I was putting down made no sense.  Some of the short stories that came from these moods were emotionally charged and on the dark side.

To this day, I still like to write the heavier stories, ones that are both a challenge and a release. Sometimes, I need to step away from my WIP. Other times I get lost in the mindset of my characters or the events playing out before me until hours fly by and I have to snap myself out of it. This happened a few months ago when my MC sought revenge on a group of people who kidnapped his best friend. To put it lightly, the end result wasn’t pretty nor was the mentality of the character going into the ordeal. I remember saying to myself: “These thoughts are psychopathic.” However, I finished the chapter and emerged with new questions about my MC and my capabilities as a writer.

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There’s another scene in my story about death, which I took details from a personal event that happened in my life. The chapter was depressing to say the least and I found my mood descending with every word I wrote. The good news: it’s one of my favorite chapters. The bad news: I felt every ounce of my character’s pain.

It’s a double edged sword being a writer when our characters become like people we know and grew up with. Their suffering isn’t always something we can separate from our own. I choose to dive into these emotions, using it as a current of inspiration. How I come out of the experience once I’m done writing, I figure I’ll handle later.

This method does not work for everyone. Stories can get overwhelming, personal; hit a bit too close to home. But these are also the parts of the story that connect with our readers, that make us clutch books to our chests and weep at an ungodly hour of the night. Whenever you write scenes like these, here are some tips to remember:

  1. Do your research. You don’t want to offend anyone with what you’re writing, let alone come across as ignorant. There is no such thing as too much research.
  2. Take a break. There is no reason to harm yourself while writing. If it gets too much, you can save it for another day, take a breather, listen to music, or watch your favorite show or movie. You always come first.
  3. Make sure these scenes are not included for dramatic effect, but actually advance the story and the growth of your main character. Shock value is not the best reason for including a dark scene.
  4. Understand it’s okay if it is not right the first time. That’s what editing is for. Those scenes that don’t feel right will either be polished or cut.If you’re still having trouble, Beta Readers are a great resource to see if you’ve accomplished what you set out to do.
  5. Don’t let anyone tell you not to write something. If it’s for the better of your story or even a way of dealing with what’s going on in your life, do it.
  6. Remember your readers. Writing a scene correctly and appropriately will connect you to your audience.

These scenes will always be part of our jobs as writers, but it’s how you go about them and handle yourself in the process that really matters.

Xx

Megan

The Message Behind Goodbye Days Ft. Jeff Zentner

Hello Readers & Writers,

If you haven’t read Jeff Zenter’s twitter thread on why he wrote Goodbye Days, I highly recommend you do so by clicking here.

It is insightful, genuinely inspiring, and only made me want to read his book all the more quickly. Though, as readers, we know our TBR piles never quite end. Nevertheless, I reached out to Jeff in order to talk a bit more in depth about Goodbye Days and his inspiration for such an emotionally charged story.

In case you haven’t heard of Goodbye Days, here is a synopsis:

Can a text message destroy your life?

Carver Briggs never thought a simple text would cause a fatal crash, killing his three best friends, Mars, Eli, and Blake. Now Carver can’t stop blaming himself for the accident and even worse, there could be a criminal investigation into the deaths.

Then Blake’s grandmother asks Carver to remember her grandson with a ‘goodbye day’ together. Carver has his misgivings, but he starts to help the families of his lost friends grieve with their own memorial days, along with Eli’s bereaved girlfriend Jesmyn. But not everyone is willing to forgive. Carver’s own despair and guilt threatens to pull him under into panic and anxiety as he faces punishment for his terrible mistake. Can the goodbye days really help?

Now onto the interview!

Q1: What drew you to writing about a very difficult topic – especially to the extent Carver experiences it?

Jeff: I’ve always had a certain fascination with death. It’s so final and universal. I contended with it some in my first book, but not to the extent I felt like I needed to. I was also interested in telling a story about guilt and blame.

Q2: On your twitter account, you discussed wanting to deal with questions of accountability, memory, saying goodbye to loved ones – among others things. Do you feel as if you’ve successfully grappled with these questions?

Jeff: I hope so. For now.

Q3: Describe Goodbye Days in three words. 

Jeff: Tell your story.

Q4: What traits do you and Carver share?

Jeff: We both see a lot of beauty in the world. We both like to think about important questions of life and death.

Q5: What do you want readers to take away from such an emotionally driven tale? 

Jeff: That lives are complex stories; that you can cause something to happen without being to blame for it.

Q6: Is there any advice you want to share to a young adult audience?

Jeff: Beware of anyone who tries to get you to blame your problems on some group of people; beware of people who tell you that selfishness is a virtue; beware of anyone who tries to make you fear whole groups of people.

Q7: How did you get into writing? 

Jeff: I got into writing because I wanted to make art for teenagers and I was past the age where I could make music marketed to teenagers.

Q8: Not only are you a writer, but you’re a musician. Does being in tune with music help your writing process at all?

Jeff: It does. It helps me be attentive to economy of language and melody of sentences.

Q9: Share one random fact about yourself. 

Jeff: I once owned a pet sloth.

Author Bio:IMG_4026

Jeff Zentner is the author of William C. Morris Award winner and Carnegie Medal
longlister The Serpent King and most recently, Goodbye Days. Before becoming a writer, he was a singer-songwriter and guitarist who recorded with Iggy Pop, Nick Cave, and Debbie Harry. In addition to writing and recording his own music, he worked with young musicians at Tennessee Teen Rock Camp, which inspired him to write for young adults. He lives in Nashville.

To find out more about Jeff’s projects, click the links below:

Twitter: https://twitter.com/jeffzentner
Website: http://www.jeffzentnerbooks.com/

Lastly, be sure to check out Jeff’s newest book Goodbye Days and stick around for more book related posts on my end.

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Megan