Writing The Hard Stories

In order for characters to grow, they have to face hardships, have things taken from them, lose their initial opinions. As writers, we plan how this happens and are tasked with the most difficult thing: capturing this development on paper.

Writing a story isn’t easy. It takes a lot of will power, imagination, and convincing yourself that your writing doesn’t suck. Once you’ve managed to move past these qualms, you may come up against another challenge. How do I handle writing a scene that is either extremely personal or possibly triggering?

I’m a firm believer in using writing as a way of dealing with life or even escaping it. For a long time, writing was the only comfort I had. I threw my emotions onto the page no matter how much it hurt or even if the words I was putting down made no sense.  Some of the short stories that came from these moods were emotionally charged and on the dark side.

To this day, I still like to write the heavier stories, ones that are both a challenge and a release. Sometimes, I need to step away from my WIP. Other times I get lost in the mindset of my characters or the events playing out before me until hours fly by and I have to snap myself out of it. This happened a few months ago when my MC sought revenge on a group of people who kidnapped his best friend. To put it lightly, the end result wasn’t pretty nor was the mentality of the character going into the ordeal. I remember saying to myself: “These thoughts are psychopathic.” However, I finished the chapter and emerged with new questions about my MC and my capabilities as a writer.

32212160353_2e963e4e88

There’s another scene in my story about death, which I took details from a personal event that happened in my life. The chapter was depressing to say the least and I found my mood descending with every word I wrote. The good news: it’s one of my favorite chapters. The bad news: I felt every ounce of my character’s pain.

It’s a double edged sword being a writer when our characters become like people we know and grew up with. Their suffering isn’t always something we can separate from our own. I choose to dive into these emotions, using it as a current of inspiration. How I come out of the experience once I’m done writing, I figure I’ll handle later.

This method does not work for everyone. Stories can get overwhelming, personal; hit a bit too close to home. But these are also the parts of the story that connect with our readers, that make us clutch books to our chests and weep at an ungodly hour of the night. Whenever you write scenes like these, here are some tips to remember:

  1. Do your research. You don’t want to offend anyone with what you’re writing, let alone come across as ignorant. There is no such thing as too much research.
  2. Take a break. There is no reason to harm yourself while writing. If it gets too much, you can save it for another day, take a breather, listen to music, or watch your favorite show or movie. You always come first.
  3. Make sure these scenes are not included for dramatic effect, but actually advance the story and the growth of your main character. Shock value is not the best reason for including a dark scene.
  4. Understand it’s okay if it is not right the first time. That’s what editing is for. Those scenes that don’t feel right will either be polished or cut.If you’re still having trouble, Beta Readers are a great resource to see if you’ve accomplished what you set out to do.
  5. Don’t let anyone tell you not to write something. If it’s for the better of your story or even a way of dealing with what’s going on in your life, do it.
  6. Remember your readers. Writing a scene correctly and appropriately will connect you to your audience.

These scenes will always be part of our jobs as writers, but it’s how you go about them and handle yourself in the process that really matters.

Xx

Megan

The Message Behind Goodbye Days Ft. Jeff Zentner

Hello Readers & Writers,

If you haven’t read Jeff Zenter’s twitter thread on why he wrote Goodbye Days, I highly recommend you do so by clicking here.

It is insightful, genuinely inspiring, and only made me want to read his book all the more quickly. Though, as readers, we know our TBR piles never quite end. Nevertheless, I reached out to Jeff in order to talk a bit more in depth about Goodbye Days and his inspiration for such an emotionally charged story.

In case you haven’t heard of Goodbye Days, here is a synopsis:

Can a text message destroy your life?

Carver Briggs never thought a simple text would cause a fatal crash, killing his three best friends, Mars, Eli, and Blake. Now Carver can’t stop blaming himself for the accident and even worse, there could be a criminal investigation into the deaths.

Then Blake’s grandmother asks Carver to remember her grandson with a ‘goodbye day’ together. Carver has his misgivings, but he starts to help the families of his lost friends grieve with their own memorial days, along with Eli’s bereaved girlfriend Jesmyn. But not everyone is willing to forgive. Carver’s own despair and guilt threatens to pull him under into panic and anxiety as he faces punishment for his terrible mistake. Can the goodbye days really help?

Now onto the interview!

Q1: What drew you to writing about a very difficult topic – especially to the extent Carver experiences it?

Jeff: I’ve always had a certain fascination with death. It’s so final and universal. I contended with it some in my first book, but not to the extent I felt like I needed to. I was also interested in telling a story about guilt and blame.

Q2: On your twitter account, you discussed wanting to deal with questions of accountability, memory, saying goodbye to loved ones – among others things. Do you feel as if you’ve successfully grappled with these questions?

Jeff: I hope so. For now.

Q3: Describe Goodbye Days in three words. 

Jeff: Tell your story.

Q4: What traits do you and Carver share?

Jeff: We both see a lot of beauty in the world. We both like to think about important questions of life and death.

Q5: What do you want readers to take away from such an emotionally driven tale? 

Jeff: That lives are complex stories; that you can cause something to happen without being to blame for it.

Q6: Is there any advice you want to share to a young adult audience?

Jeff: Beware of anyone who tries to get you to blame your problems on some group of people; beware of people who tell you that selfishness is a virtue; beware of anyone who tries to make you fear whole groups of people.

Q7: How did you get into writing? 

Jeff: I got into writing because I wanted to make art for teenagers and I was past the age where I could make music marketed to teenagers.

Q8: Not only are you a writer, but you’re a musician. Does being in tune with music help your writing process at all?

Jeff: It does. It helps me be attentive to economy of language and melody of sentences.

Q9: Share one random fact about yourself. 

Jeff: I once owned a pet sloth.

Author Bio:IMG_4026

Jeff Zentner is the author of William C. Morris Award winner and Carnegie Medal
longlister The Serpent King and most recently, Goodbye Days. Before becoming a writer, he was a singer-songwriter and guitarist who recorded with Iggy Pop, Nick Cave, and Debbie Harry. In addition to writing and recording his own music, he worked with young musicians at Tennessee Teen Rock Camp, which inspired him to write for young adults. He lives in Nashville.

To find out more about Jeff’s projects, click the links below:

Twitter: https://twitter.com/jeffzentner
Website: http://www.jeffzentnerbooks.com/

Lastly, be sure to check out Jeff’s newest book Goodbye Days and stick around for more book related posts on my end.

Xx

Megan

History Is All You Left Me: A Review

Hello Reader & Writers,

Before I start, I want to say that this book deals with a lot of heavy themes, death being the major one. Aside from that, there are questions revolving around self-identity, guilt, love, and healing. Like the last review I did, this one will be spoiler free.

The book follows a boy named Griffin who is dealing with the loss of his ex-boyfriend, but

16110820_1379092425448606_7296860998785302528_n1

Taken from my instagram: Written-Infinities

first love, Theo. It alternates between history (the past), and today (the present). In the history snapshots, the reader learns about how Theo and Griffin got together, their relationship, and the bumps they encounter along the way. The present focuses on Griffin trying to deal with death and not always in the best way. The only person Griffin finds who truly understands what he is going through is Theo’s boyfriend at the time of his death, Jackson.

I read More Happy Than Not by Adam Silvera at the end of last year and it was an emotional trip. Having heard about Adam’s new book, I expected the same, but was surprised to find out this book was much worse. I will admit I needed to take breaks while reading, because emotions were displayed so vividly that I required time to gather myself. I’ve seen a lot of reviews and responses to Adam’s book, most of them mentioning the undesirable need to cry. I didn’t cry, but I felt every emotion as if it were my own. I felt numbness and desperation and an ache in my chest.

Despite all of these emotions swirling around inside of me, I finished the book in one day. I haven’t done that in quite some time. I wasn’t able to pull away from the strength of Adam’s prose, how every sentence felt as if it belonged there, how every sentence made me feel for Griffin and the other characters involved. Adam treated the theme of death with respect; he didn’t sugarcoat it or romanticize it. Death hurts and it’s not the same journey for everyone, especially for those who are young. It is not always about “getting over it” or “moving on.”

I’m also going to award praise to the portrayal of Griffin’s OCD and compulsions. The reader learns early on that Griffin has these characteristics about him, things that even Griffin questions, especially as the book progresses. He prefers even numbers and has to stand on someone’s left whenever he is walking or sitting beside them. The uniqueness of the tale is Adam doesn’t portray OCD the way it is commonly seen – a need to be clean at all times or hyper-organization. Adam shows that OCD can manifest in other ways.

Another component of the book I enjoyed was Adam’s portrayal of sexuality. Theo defines his sexuality as liking “good people, period.” This pleased me as a reader because it opened up the conversation that sexuality doesn’t always follow a strict guideline. It isn’t always about liking just men or just women. It could come down to whoever makes you feel good, whoever you can relate to, whoever has your best interest at heart. Love is simply love and everyone experiences it differently.

This book has easily found its way onto my favorites list. It was brutally gut-wrenching, but it does not warrant an apology. Youth tends to be idolized – they cannot die or when they do it is a great tragedy. Theo’s death is a tragedy and History Is All You Left Me challenges this stereotype. It also brings up the question of how would you live your life if you knew you didn’t have much time? I found myself thinking about these questions as I read. I found myself thinking about those I loved. I found myself missing Theo, despite him being a fictional character.

Adam Silvera, I want to thank you for writing this book, for making me laugh and grieve and find hope in your story. I can only imagine what this drew out of you as a writer, being one myself. But trust me when I say, this book is everything it needs to be and more.

5/5 Puzzle Pieces for me.
(You’ll understand the reference once you read this book).

Xx

Megan

A Little Change Can Go A Long Way

Hello Everyone,

Welcome to 2017! I am wishing everyone a happy and healthy year. I hope all of your writing, reading, and personal goals become a reality or you get closer to obtaining them. I have a few to reach myself, my biggest one being to finish my book that I started in April of last year.

Instead of making a post about resolutions or a look back on my year, I thought I would add on to my young adult series by sharing a personal story. It’s a positive one and I figured we all couldn’t go wrong with some inspiration and good vibes.

Anyone who has gone to college or experienced education in any form knows a teacher can be a big influence as to whether a class is enjoyable or miserable, despite the material. One also knows how rigid a set curriculum can be, especially when it has been repeated time and time again or contains subject matter that doesn’t feel relevant to contemporary culture. I found myself thinking that a lot as I went through an education in humanities – reading books in the romantic and medieval era. I always managed to find one or two per lecture that I liked, but I also yearned to read something current. They could be equally discussed and valued as literature from previous centuries.

It was why I was intrigued when I was signing up for classes and I saw a seminar in Young Adult and Children’s literature. With a handful of praying and violent clicking, I secured myself a spot in the class. There were only twenty spots so you could say I Hunger Gamed it out.

I didn’t know what to expect when I entered the class. I knew some freshman were assigned to read The Hunger Games or Perks of Being A Wallflower (books I highly recommend). I had no idea what upperclassmen would be assigned. It turned out that when I saw the syllabus, my hopes were instantly ignited. Some of the books on the list were Wonderstruck by Brian Selznick, A Monster Calls by Patrick Ness, American Born Chinese by Gene Luen Yang, and Alice in Wonderland by  Lewis Carroll. The class experimented with picture books, graphic novels, long works, short works. My teacher did her best to not only demonstrate her love for books geared towards younger audiences, but also the different kinds of outlets that existed other than full fledged novels. She even had a guest speaker come to our class to push for diversity in literature since the numbers were not looking good.

Going to that class was always something I looked forward to because I knew the book would be worth reading and the class discussion would be alive. The class also became a therapy session, some of my peers and myself, venting issues and personal stories that remained in the classroom. It became a space that was inviting and comforting. We learned a lot about each other, but also about the variety of texts that were out there.

I was exposed to young adult books for quite a while, but for others in my class, it was their first time. They were blown away by how much creativity went into these books. I’ll use the example of Wonderstruck which was told with both full fledged illustrations and texts, the storytelling intersecting to create a cohesive children’s tale. I will also mention A Monster Calls that though had text accompanying photos would not be the same without the illustrations. The illustrations gave the story even more of a pulse. These books became the medium of which we were able to learn about the publishing world and ourselves.

My teacher had a firm belief that if children and teens were given the right books, it could make a difference in their lives and how they developed as adults. She fought for this class to be possible because she believed there needed to be more offered than standard literature classes. And my writer friends, she won, because of her passion and drive. But not only that, she made a hell of a lot of friends along the way. She was more than a teacher. She was someone who inspired, someone who challenged one’s thoughts and opened their eyes to literature.

alone-1822474_1280

The reason for sharing this memory of my seminar was because just because a book is geared towards a younger audience doesn’t mean its worth suddenly goes out the window. Sometimes, we need to reawaken the kid in ourselves or maybe find something that needs maturing that we didn’t even know about. Sometimes, we need one person to show us something even if we protest or are uncertain.

Not to mention for children and teens who are struggling, a book could be the key to easing a burden, solving a problem.

So when I say I love young adult books, I think back to all the books I’ve read, but I also look back at this class that I took in college, where my mind was broadened even further and I found a teacher who understood exactly how I felt.

Keep writing. Keep reading. Keep creating.

Xx

Megan

Queries, Pitches and YouTube – Oh My !

Hello Everyone,

This post is sudden, but one I’ve been waiting to write for a little over two months now. With a new year comes new projects, particularly in the writing department. For those of you who don’t know, my brother (Ismael) and his wife (Justine) are writers. You can find them here and here.  These are the two people I bounce most of my ideas off of as well as scream at when my characters give me feelings.

I realize how weird that last sentence sounds if you’re not a writer. Getting involved with books and fandoms makes you do a lot of odd things in order to hold tight/express inspiration. I’ll save that for another post.inkwell2_5

What I want to tell you all is that my brother, his wife, and I have created The Inkwell Council.

-insert the oooooooh gif from Toy Story here-

The purpose of this website is to provide free critiques for a description of your entire project and the first three chapters of your manuscript. When it comes to querying, we know the first three chapters can make or break the decision as to whether a publisher/agent will request more of your story. We know how stressful and hard this process can be. Lastly, we also know that getting critiques for your story can be expensive. The idea for this service sprouted as we asked ourselves: what can we do to help out the writing community  with NaNoWriMo underway and a various amount of pitching events happening on Twitter? This, my writing friends, is the answer.

We will be reading each submission with the following in mind:

1) What might get you accepted or rejected by an agent/publisher and how you might increase your chances.

2) How to strengthen your prose and tighten your story, without losing your voice and what makes your tale unique.

3) The pace and feeling of your story – is it a page turner? Does it drag? Are our hearts already racing? Did we get your jokes?

Each of us involved with Inkwell will be assigned to one of the following questions. To find out more about Inkwell, whether for curiosity, to learn more about us, or to submit your manuscript (which we really hope you do), check out our website. Note that we will be picking one manuscript out of the bunch per month to critique, but this may change as Inkwell progresses. The best way to stay in the know is to visit The Inkwell Council.

Phew, one announcement done, one to go. Another project that has been kept secret is the same folks who made The Inkwell Council are also making a YouTube Channel! I will say that I have wanted to make a YouTube channel for a while, but never felt like I would be able to maintain it. Then one day, my sister in law mentioned that she was thinking of doing it because of her son and here we are.

I present to you Geektastic!

There are no videos as of yet, but they will be themed around all things nerdy and geeky as my family has both of those traits running in their veins. We will be doing reviews of books, movies, toys, and anything else we deem fit. The best part about this channel is it will be family friendly, so there will be no need to slam your laptop shut if a child comes running in. Also, you will be meeting my nephew who is adorable and full of all the energy in the world.

I will be covering the book section of the channel because I read books at the speed of light and my shelf is becoming overrun with them. Might as well put my love for books to use and hopefully entertain some readers in the process. I hope you stay tuned and check out the videos as they come.

Okay, I think that is everything I had to announce in this post. Not saying anything for so long has kept me bubbling with excitement and hope that they will turn out well. With no more secrets, (as far as I know), I’ll see you all in my next post.

Xx

Megan

 

Writing Stereotypes

Hello Everyone,

How the heck are we halfway into November? I am asking myself that as I write this post – something that should have been done a while ago. But it has been a hectic few weeks, and I am now settled enough to write without my brain dissolving into a pile of mush.

The topic I thought I would tackle today is writing stereotypes, which any writer probably
knows about and has faced at some point in their lives. If you haven’t, you are lucky and this post can act as a warning for what may come in the future.

#1 – Make It Rain

I am titling this stereotype as such because it is the first thing that comes to a lot of people’s minds when you say you are writing a book. It is quite a grueling process to write, to make sure your plot aligns, your characters are well rounded, your grammar is polished. It is also a task to get through publication: between finding an agent, signing with a publishing house, edits, production, and press. As nice as it would be to write a book, immediately get it published, and have money rolling in shortly thereafter, it often doesn’t work that way.

How can that be, Megan? What about J.K. Rowling, John Green, James Dashner and so on and so forth.

My answer is they were lucky. Someone recognized their talent, signed them on, and their books were a hit with millions of people. They have earned their success and each of them are on my list of favorite authors. I would love to join them in the future, as I’m sure many other writers would too.

#2 – Writing Can’t Be Hard

Wrong. So wrong. Wrong to the power of infinity and beyond.

There is so much going on within a writer’s brain, so many things that need to happen writing-1317009in order to create a coherent story that makes writing difficult. Combine that with muse and real life and a book is barely a walk in the park. I started writing my novel earlier this year, around April, and am still making progress with it till this day. Other authors I know have been working on their books for years, scrapping it, redoing it, leaving it for months and then coming back to it.

Don’t think that I don’t love writing. It is tied into my soul. It is one of the reasons I exist. It has saved me from many dark times. What I have learned from finally writing a book past childhood is that it requires patience and perseverance. Can’t fix a plot hole? Take a break. Think on it. Have a long shower. Your character isn’t working? Take on a new point of view. Cut them from the story entirely if you need to.

Writing is a series of difficult decisions, testing not only the characters in the story, but you as a person and you as someone developing a craft.

#3 – What’s Your Dayjob?

Opposite to stereotype number one is the disapproving glance of onlookers who believe writing is a pipe dream. I’ve had to deal with this one several times, the questions lingering in someone’s eyes as I tell them I want to write a book someday.

What do you really want to do with your life?

You couldn’t have chosen something else?

That’s not how you make money.

Oh. Okay. -moves onto next person-

When I first began writing, I found this discouraging. I battled within myself if this was really what I wanted to do. I could suck it up and go into graphic design or computer science, other fields I considered, but I ruled them out because I didn’t see them in my future. I didn’t turn to them as a comfort. Turns out, they turned into hobbies that died out as I grew older. Writing was still my passion and until success comes, if at all, I am happy with getting into the publishing industry as an editor.

My advice to anyone who has this negativity thrown their way, do not let it hurt you. Stories exists for several reasons: to entertain, inform, inspire. If there is a story within you, tell it because you never know who you are helping by doing so.

#4 – Mental Illness and Creativity

There are studies that say depression, bipolar disorder, anxiety, and so forth affect the creativity process, often in a positive way. I know writers who have some of these issues and I also know writers who are mentally healthy.

For someone who has dealt with mental illness, writing can alleviate the suffering.  However, mental illness is not a qualifying component necessary to write. If you write because it helps problems in your life or with your health, that is great. I’m glad you found a coping mechanism. If you write just because you love it, then I am equally as happy for you.

Writers come from all situations and backgrounds. To say that only the best craft comes from the dark side of the mind is an exaggeration. The inspiration to write can come from a variety of places and each should be recognized especially if they create a beautiful story in the end.

#5 Writers Are Internet Loving, Animal Hoarding, Caffeine Addicts 

Well…

Erm…

This one is kind of true.

Keep those laptops and puppies and kittens close my writer friends! Oh, don’t forget the coffee or tea too. Who knows where all the good books would go without any of those things.

Xx

Megan

What You Can’t Always See – Flooded Anthology

Hello Fellow Bloggers,
vg-headshot-squareI have an important issue and person that will be featured on the blog today. Her name is Victoria Griffin and she is the creator of Flooded Anthology. The project is centered on raising awareness about brain injuries and the effects they have on one’s life. This all came about after Victoria suffered a concussion that left her unable to speak, walk, or comprehend the passage of time. She wanted to be able to use the anthology to describe the complexity of brain injuries as well as create an expansive and truthful representation. The anthology itself will be a compilation of fiction and creative nonfiction (roughly 80,000 words) for writing can sometimes do what mere facts cannot: make a person feel what it is like to have a concussion.

For this anthology to happen however, it needs the help of anyone and everyone. Whether you share the information around social media, donate to its kickstarter page or both, this project requires the support of an audience larger than just Victoria herself.

For more information, I have included an interview with Victoria below. The interview begins with a word association game, then branching out to more in depth responses about the project.

First words that come to mind when you think of Flooded?
Helpless, Afraid, Desperate
First words that came to mind when you thought of this project? 
Community, Strength, Understanding
First words that come to mind when you think of your concussion?
Dark, Stolen, Wrong
First words that come to mind when you think of writing?
Connection, Expression, Honesty
First words that come to mind when you think about your life now?
Unexpected, Fluid, Beautiful


What inspired the anthology?

In January of this year, I took a hit to the head during softball practice. I immediately felt drunk, but the next morning I had difficulty speaking and walking. My trainer assured me the symptoms would be gone within two weeks, after which the doctor assured me they would be gone within three. After four months, two ER visits, a drug overdose (caused by a neurologist who was supposed to help me), and a desperate struggle to graduate without being able to read or perform basic, everyday functions, I finally recovered.

On the surface, the concussion cost me my senior season of softball and four months of my life. But in reality, it left scars so deep, they are difficult to describe—which is what prompted me to write about the experience. When I realized there was no publication solely dedicated to brain injuries, I began to truly consider how concussion awareness is approached—with facts and statistics—and how inadequate that is.

 

What was it like to be concussed?

A brain injury is difficult to describe. I feel like I could write a thousand pages and never capture the experience. I can tell you that my mom said I sounded like a four-year-old, and my dad said my eyes were always dull and lifeless. I don’t remember the first two weeks at all, and after that I would “lose” gradually decreasing sections of time—a few days at first, then a day, then hours, and eventually minutes. When I finally gained enough strength to walk around the apartment, I would get stuck on the stairs and have to call for help. A sound as small as footsteps would send me into sensory overload attacks—which I came to call flooding—during which I would involuntarily curl into a ball and be unable to move, speak, or breathe.

Have you ever been near to drowning? Each time an attack happened, I felt like I was drowning. Getting air was more difficult than pressing through the heaviest backsquat I’ve ever attempted. And each attack lasted hours.

Still, all I’ve really described is the physical. Can I explain to you what it feels like to lose your mental capabilities? To lose your language? To not be able to understand words spoken to you? To feel paranoia so strong you can’t look anyone in the eye? To lose your emotions, so that all you feel are the artificial sadness and fear induced by the injury and medication?

What could someone who has never experienced a brain injury gain from reading Flooded?

The anthologflooded-logoy is not simply for survivors. While it will certainly be an outlet for them to express their personal realities, they are actually the group of people who (as readers) need the anthology the least.

When I realized I was concussed, my first reaction was to try to hide it because I knew I would be benched. What if I had read an anthology like Flooded? What if I had known what could happen to me? I was lucky. I walked away from my brain injury with no permanent damage, and my poor decision early on did not negatively affect the outcome. But it could have. And for many, it does. Reading an anthology like Flooded may help others to make better decisions in such a situation.

If you have not experienced a brain injury, you might in the future. Or a family member or close friend might, and they will not be able to tell you what they’re going through, not until it’s over. What if you had the opportunity to gain insight into their struggles? I know my friends and family would have leapt at the thought of learning anything about what was happening inside my body and mind.

Concussions don’t just happen to athletes. They happen after a fall or a car accident. They are a part of life that needs to be addressed in literature. At the very least, gaining empathy for another’s pain and struggles makes you a better, more understanding person. Who doesn’t need that in their life?

How did your concussion change your life?

The concussion completely altered the course of my life, directly and indirectly. Because of it, I wound up discovering a new passion—freelance editing. But the most significant result of the injury is its impact on my perspective and my worldview. I now have a much deeper understanding of the sorts of challenges some people face every single day—those who struggle with depression, anxiety, and learning disorders.

I also have an incredibly deep-rooted appreciation for the people in my life. We all know that extreme situations bring out the best and the worst in people. I saw people behave in ways I never would have expected. I saw true cruelty, to a degree I didn’t believe people to be capable of, not from strangers but from people who had been in my life for years.

But I also saw extreme compassion and sacrifice. I saw a few friends and family members put their lives on hold to make sure I made it through. From driving across the country to staying with me when I was afraid of what might happen during the night, I can never repay those amazing people, but I will spend the rest of my life trying. And now, I consider of every person in my life, would they be the one to make sure I kept breathing when an attack hit? Or would they be the one to step over me and leave me alone?

Becoming A Part Of Flooded

If writers want to be a part of Flooded, they can submit pieces via Submittable starting November 15th and ending February 28th. After the Kickstarter event is over, details about submissions will be available at victoriagriffin.net. Anyone can submit; you do not need to have suffered a brain injury or know someone who suffered a brain injury. The anthology is dedicated to awareness, education, and welcoming writers of all ages, skill level, races, genders, and backgrounds.

For the anthology to happen, Victoria is using Kickstarter which is an all-or-nothing crowdfunding platform. If there is even a dollar short of the goal, the money raised is not received. For that reason, Victoria has set both a bare minimum and target budget to fund the anthology. The budget will cover cover art, design, interior layout, Submittable fees, editing and proofreading, promotion, and contributor payment and copies.

Rewards for Supporting Flooded

all-rewards

How can you help?

Spreading the word is key. Share a link to the Kickstarter page on social media. Tell your friends and family. Help us to turn this project into a movement. And of course, you can visit the Kickstarter page yourself, and pledge to support the project. 

Conclusion

So with that I encourage everyone to please help out this amazing expression of creativity and awareness. It was why I personally signed up to join the blog hop – to support Victoria and this anthology. Let us make Flooded a reality.

Xx

Megan