Queens of Geek: A Review

Hello Readers & Writers,

Last night I finished Queens of Geek by Jen Wilde and all I can say is this book is both adorable and powerful.

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Taken from my instagram: Written-Infinities.

It follows three friends who go to SupaCon, which is a big gathering of movie, YouTube, and television stars. These friends are moving on to college within a couple of months and this is their way of treating themselves for making it through their education. Not to mention it has been something they wanted to do for a long time as a group. Many events happen at SupaCon, leading to self-discovery, love, and beating back some demons each of them have been holding onto.

This is a dual POV book following the characters Charlie and Taylor. Charlie is a famous YouTube star who had a terrible breakup from her co-star of a recent film, Reese. She is long since over him, but she spent the last few months piecing herself back together and finding out what it means to not be tied together with her ex in the public limelight. She has to deal with fans who want to see her back together with her ex and her entertainment company that wants her to be nice to Reese for publicity. She also identifies as bisexual and there is a fantastic scene in the book where she challenges her ex about sexuality. He asks a question bisexuals get too often: how can you be bisexual when you’re dating a guy?

The answer that Charlie gives, my dear readers, is a good one. There doesn’t need to be proof of bisexuality through dating a woman. Rather, she knew she was bisexual the same way her ex knew he was straight. What I love that the author does is she constantly reinforces there is nothing wrong with being bisexual.  She has also made Charlie a strong character, not afraid of talking about her sexuality, showing her confidence, or noting her mixed race heritage.

The second character, Taylor has anxiety. Throughout this book, I constantly found myself nodding my head in agreement with the descriptions Jen gives about anxiety. Between the fears Taylor has and how she worries how other people will read her anxiety (as her being stuck up or bossy), I too have gone through similar experiences. The portrayal was honest and real and all I wanted was for Taylor to push past her anxiety and find the happiness she deserved. Taylor, an amazing well rounded character, does not only challenge stereotypes about anxiety, but also challenges fat-shaming and misconceptions about being on the spectrum. There is so much to love and learn from Taylor’s chapters as well as so much to connect with.

This isn’t a difficult or long read. It is very much fluff and friendship and feeling good after reading it. Most of the plots are predictable, but I didn’t mind. You have a solid friendship, romances to root for, and wonderful representation. From the second I picked up this book, I went yes, this is what I need to be reading.

Note: The references in the book to all things Geek are A+.

I’m giving it 5/5 SupaCon passes.

Xx

Megan

Writing The Hard Stories

In order for characters to grow, they have to face hardships, have things taken from them, lose their initial opinions. As writers, we plan how this happens and are tasked with the most difficult thing: capturing this development on paper.

Writing a story isn’t easy. It takes a lot of will power, imagination, and convincing yourself that your writing doesn’t suck. Once you’ve managed to move past these qualms, you may come up against another challenge. How do I handle writing a scene that is either extremely personal or possibly triggering?

I’m a firm believer in using writing as a way of dealing with life or even escaping it. For a long time, writing was the only comfort I had. I threw my emotions onto the page no matter how much it hurt or even if the words I was putting down made no sense.  Some of the short stories that came from these moods were emotionally charged and on the dark side.

To this day, I still like to write the heavier stories, ones that are both a challenge and a release. Sometimes, I need to step away from my WIP. Other times I get lost in the mindset of my characters or the events playing out before me until hours fly by and I have to snap myself out of it. This happened a few months ago when my MC sought revenge on a group of people who kidnapped his best friend. To put it lightly, the end result wasn’t pretty nor was the mentality of the character going into the ordeal. I remember saying to myself: “These thoughts are psychopathic.” However, I finished the chapter and emerged with new questions about my MC and my capabilities as a writer.

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There’s another scene in my story about death, which I took details from a personal event that happened in my life. The chapter was depressing to say the least and I found my mood descending with every word I wrote. The good news: it’s one of my favorite chapters. The bad news: I felt every ounce of my character’s pain.

It’s a double edged sword being a writer when our characters become like people we know and grew up with. Their suffering isn’t always something we can separate from our own. I choose to dive into these emotions, using it as a current of inspiration. How I come out of the experience once I’m done writing, I figure I’ll handle later.

This method does not work for everyone. Stories can get overwhelming, personal; hit a bit too close to home. But these are also the parts of the story that connect with our readers, that make us clutch books to our chests and weep at an ungodly hour of the night. Whenever you write scenes like these, here are some tips to remember:

  1. Do your research. You don’t want to offend anyone with what you’re writing, let alone come across as ignorant. There is no such thing as too much research.
  2. Take a break. There is no reason to harm yourself while writing. If it gets too much, you can save it for another day, take a breather, listen to music, or watch your favorite show or movie. You always come first.
  3. Make sure these scenes are not included for dramatic effect, but actually advance the story and the growth of your main character. Shock value is not the best reason for including a dark scene.
  4. Understand it’s okay if it is not right the first time. That’s what editing is for. Those scenes that don’t feel right will either be polished or cut.If you’re still having trouble, Beta Readers are a great resource to see if you’ve accomplished what you set out to do.
  5. Don’t let anyone tell you not to write something. If it’s for the better of your story or even a way of dealing with what’s going on in your life, do it.
  6. Remember your readers. Writing a scene correctly and appropriately will connect you to your audience.

These scenes will always be part of our jobs as writers, but it’s how you go about them and handle yourself in the process that really matters.

Xx

Megan

From the Editor’s Desk

Being an editor is weird.

I never thought I would find myself in the field until I entered college and my interests moved more and more towards said line of work. Satisfaction filled me every time I corrected a misplaced punctuation mark or noted an error in tense. I was soon being asked by my friends to help them out with their upcoming essays. My passion grew once I entered the publishing world.

There is a particular attitude you need as an editor, that being you want to make a story the best it can be. When someone sends in a manuscript or is getting a book published, you must remember that not only are they a person, but this is something they poured time and creativity into. There must be a balance between critique and respect. Being a writer myself, I understand the bond authors not only have with their story but with their characters. It makes my job both easier and harder. I know how important their story is to them while simultaneously understanding that no manuscript is perfect. The key is to make sure your comments are helping the story and are not outright statements with no background or drawn from personal feelings.

An editor-author bond is a delicate one. It involves placing something important into the hands of someone you may not always know. A bad editor can ruin an author’s experience, making them hesitant to submit their work again as well as wary of any comments made down the line. That is the last thing I want to happen. I want to be able to give critique that is in the best interest of the story as well as open a dialogue between me and the author. Editing does not need to be a battle, though scrambling to finish edits by a deadline or for an entire manuscript can be overwhelming and make you down thirty cups of coffee.

One of the other things I keep in mind is what document I am working on. I edit both academic and creative texts, each requiring a different eye. For academic texts, I have to make sure the thesis aligns with the overall content of the paper, if the task prompts are being followed, if the sentences add to the message or are fillers. For creative texts, I’m paying attention to content, if rules of a magical word make sense, if characters are doing what their personalities support. The task comes down to: what is expected from each text and does it get there? If not, how can I help?

Books rely on editors to catch mistakes and plot holes the author cannot. It is what transforms one’s story from the first draft to the copy that ends up on shelves. This is never something to be taken lightly and it’s definitely something I remind myself of. When reading over a text, a couple of hundred different files open up in my head paying attention to grammar rules, the plot of the story, sentence structure. It’s like standing on one of those exercise balls while juggling a set of knives. Okay, maybe not so much knives, but you get the picture. The author-editor bond requires a mutual amount of effort and teamwork. I am always willing to put in my part as long as the author is too. Critique can be scary and it is a hundred percent okay to take a breather in order to look over everything. Even coming to me to talk it out is a big factor of said relationship.

At the end of the day, my job as an editor is to help the authors involved and get one’s story where it needs to be.

Xx

Megan

Short Stories & Editing Tips

Hey Readers & Writers,

Today I’m taking Monday blogging seriously for I have two posts to shove at you. Okay, I’m not really going to shove them at you. I’m going to politely ask you to check them out if you’d like.

The first post is a guest post on Kate Foster’s blog where I discuss how I write short stories, where the ideas come from, as well as why I sometimes prefer writing them over full fledged novels. Since this is a well debated topic in the writing world, I figured I would offer my perspective. That post can be found here.

The second matter of business I am sharing today is the third completed manuscript analysis on The Inkwell Council. Justine and Ismael tackle large issues such as the message of one’s story and how to convey said message, while I tackle how to convey a character’s thoughts without your grammar suffering in the process. That post can be found here.

I hope you enjoy them both and they help offer some insight in the writing and editing world.

Xx

Megan

My First Red Pen

Hello Everyone,

I had the pleasure of guest posting on Liz Meldon’s writing blog. The topic of my post was my first editing experience as well as what writers can learn from the process. Given my love of editing and reading, it only makes sense that I tell my tale.

For all writers who are nervous about reaching out for critique, trust me, it will make all the difference.

Check out my post here and leave your comments on your first editing experience if you’d like!

Xx

Megan

No One Voice is The Same

Hello Everyone!

On the blog today, I am going to pick up with my young adult series. The topic for this particular segment will be centered around LGBTQA+ books – what they do for YA, how they help a young audience, and book recommendations.

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Growing up, it wasn’t often that I saw representation of the LGBTQA+ community, especially when it came to books. I recall a lot of heterosexual representation, with a woman falling for a man and it being a sweeping romance, or trials and tribulations that led to a happy ending, or a blooming relationship that would eventually end in some kind of progress. Though these stories have their own merit, I remember asking, “what about others?” especially since I had friends in the community and was dealing with my own questions about sexuality.

This post was going to occur later in my series, but with the growing push for diversity in literature, I decided it was time to bring this to the forefront of my own blog. One of the aspects of YA that I love is the emergence of literature that deals with issues like sexual and personal identity, coming out, and relationships. The change in just the last five years alone has blown me away and I am finding more books that I pick up to be a pleasant change from a heterosexual romance. Don’t get me wrong, there is nothing to shame for being heterosexual. It is merely important that other voices are brought into the mix, to aide in the publishing industry’s need for diversity and inclusivity.

With how young adult literature is marketed, it is meant for a younger audience, particularly those in their preteen/teenage years where the question of “who am I?” is going to arise. Identities aren’t just made up of internal thoughts and experiences, rather a collective experience from both one’s self and their environment. It is a fact that if one does not see themselves represented, they will feel as if they aren’t important. Experiences need to extend to everyone, not just the people who are making a product or a single section of the population.

What is needed in books for those of the LGBTQA + community is not only validation of their identity, but the struggles that come with it, the successes, the acceptance of who they are, what they value, who they love. Books, at least from my perspective, are a solace, a way to escape life and also enable my imagination.

What is the point of literature or any type of production if you can’t even imagine yourself in it?

It is why books with all kinds of representation are important. Someone reading a book and relating to it could change their life, how they grow as a person, how they choose to express themselves. What is also important is not just representation, but the healthy kind of representation.

If you are interested in finding some LGBTQA+ literature, I highly recommend checking out this graphic. The information there is from 2015, but I also recommend this list of books which include titles from 2016. Lastly, check out this website which gives an even more extensive list of YA literature. Some of my personal favorites would be:

The Timekeeper – Tara Sim
A cute, organic relationship between two boys that grows and festers into something you won’t want to miss.

I’ll Give You The Sun – Jandy Nelson
Not only will you get the emotional bond between siblings, but what it is like to fall in love.

Aristotle and Dante Discover the Secrets of the Universe – Benjamin Alire Saenz
You will get a unique, but also diverse relationship between two boys who discover just how deep their feelings go, but not without its challenges and personal growth.

The Perks of Being A Wallflower – Stephen Chbosky
What I love about this book is you have a gay character who has long since come out and is proud of his identity.

Proxy – Alex London
READ THIS and probably cry. I’ll just leave this recommendation at that.

Carry On – Rainbow Rowell
Fantasy meets angst meets unexpected feelings. This book is a must read from start to finish.

I will also give recommendations I have not personally gotten around to reading but heard amazing things about:

Of Fire and Stars – Audrey Coulthurst
More Happy Than Not – Adam Silvera
Labyrinth Lost – Zoraida Cordova

So get out there readers. Love these books. Share them. Feel free to leave recommendations of your own.

Xx

Megan

 

Writing Stereotypes

Hello Everyone,

How the heck are we halfway into November? I am asking myself that as I write this post – something that should have been done a while ago. But it has been a hectic few weeks, and I am now settled enough to write without my brain dissolving into a pile of mush.

The topic I thought I would tackle today is writing stereotypes, which any writer probably
knows about and has faced at some point in their lives. If you haven’t, you are lucky and this post can act as a warning for what may come in the future.

#1 – Make It Rain

I am titling this stereotype as such because it is the first thing that comes to a lot of people’s minds when you say you are writing a book. It is quite a grueling process to write, to make sure your plot aligns, your characters are well rounded, your grammar is polished. It is also a task to get through publication: between finding an agent, signing with a publishing house, edits, production, and press. As nice as it would be to write a book, immediately get it published, and have money rolling in shortly thereafter, it often doesn’t work that way.

How can that be, Megan? What about J.K. Rowling, John Green, James Dashner and so on and so forth.

My answer is they were lucky. Someone recognized their talent, signed them on, and their books were a hit with millions of people. They have earned their success and each of them are on my list of favorite authors. I would love to join them in the future, as I’m sure many other writers would too.

#2 – Writing Can’t Be Hard

Wrong. So wrong. Wrong to the power of infinity and beyond.

There is so much going on within a writer’s brain, so many things that need to happen writing-1317009in order to create a coherent story that makes writing difficult. Combine that with muse and real life and a book is barely a walk in the park. I started writing my novel earlier this year, around April, and am still making progress with it till this day. Other authors I know have been working on their books for years, scrapping it, redoing it, leaving it for months and then coming back to it.

Don’t think that I don’t love writing. It is tied into my soul. It is one of the reasons I exist. It has saved me from many dark times. What I have learned from finally writing a book past childhood is that it requires patience and perseverance. Can’t fix a plot hole? Take a break. Think on it. Have a long shower. Your character isn’t working? Take on a new point of view. Cut them from the story entirely if you need to.

Writing is a series of difficult decisions, testing not only the characters in the story, but you as a person and you as someone developing a craft.

#3 – What’s Your Dayjob?

Opposite to stereotype number one is the disapproving glance of onlookers who believe writing is a pipe dream. I’ve had to deal with this one several times, the questions lingering in someone’s eyes as I tell them I want to write a book someday.

What do you really want to do with your life?

You couldn’t have chosen something else?

That’s not how you make money.

Oh. Okay. -moves onto next person-

When I first began writing, I found this discouraging. I battled within myself if this was really what I wanted to do. I could suck it up and go into graphic design or computer science, other fields I considered, but I ruled them out because I didn’t see them in my future. I didn’t turn to them as a comfort. Turns out, they turned into hobbies that died out as I grew older. Writing was still my passion and until success comes, if at all, I am happy with getting into the publishing industry as an editor.

My advice to anyone who has this negativity thrown their way, do not let it hurt you. Stories exists for several reasons: to entertain, inform, inspire. If there is a story within you, tell it because you never know who you are helping by doing so.

#4 – Mental Illness and Creativity

There are studies that say depression, bipolar disorder, anxiety, and so forth affect the creativity process, often in a positive way. I know writers who have some of these issues and I also know writers who are mentally healthy.

For someone who has dealt with mental illness, writing can alleviate the suffering.  However, mental illness is not a qualifying component necessary to write. If you write because it helps problems in your life or with your health, that is great. I’m glad you found a coping mechanism. If you write just because you love it, then I am equally as happy for you.

Writers come from all situations and backgrounds. To say that only the best craft comes from the dark side of the mind is an exaggeration. The inspiration to write can come from a variety of places and each should be recognized especially if they create a beautiful story in the end.

#5 Writers Are Internet Loving, Animal Hoarding, Caffeine Addicts 

Well…

Erm…

This one is kind of true.

Keep those laptops and puppies and kittens close my writer friends! Oh, don’t forget the coffee or tea too. Who knows where all the good books would go without any of those things.

Xx

Megan